The Vintage Scribbler

The Vintage Scribbler
Diggin' up and turfing out the most organic sounds... Burrowing deep into the muddy realms of the underground...
A collection of band interviews, gig, album and EP reviews and whimsical anecdotes. The Vintage Scribbler is a platform for bands and artists to showcase their freshest new sounds that have been globally on offer to aurally digest as you please... As well as the odd bit of photography to tickle your fancy and moisten your visual appetite...

Contact: thea@thevintagescribbler.com

www.thevintagescribbler.com

Madness: House of Fun Weekender

 Startling the sleepy streets of a Somerset seaside-town, thousand upon thousand paraded through the gaudy gates of Butlins; a weekend of frivolous behaviour, getting giddy to the sounds of the 80’s and the opportunity to divulge into the whacky cult world of ‘Madness’…not forgetting to mention the extra addition of hundreds of shimmering arcade machines, the merging sounds of ska, punk and reggae stumbling from every bar and the glorious landscape of rocketing blue spiralling twists and turns of some edgy-looking waterslides.

    With doors pursed shut to the general public, this event was firmly noted to be an occasion for big kids, kids that revel in the thought of donning a couple of straps of braces and a souvenir plastic-red fez in tribute to their most cherished artist. With an adventure playground overflowing into every nook and cranny, an over-sized fibreglass statue of Bob-the-Builder, alternating pitches of the fruit machines and the glint of 10p coins sparkling in every angle, there was something quite cosy about the weekends’ kitsch location. 

    House of Fun Weekender showcased an innovative and beefy line-up, allowing artists the opportunity to play at the very venue that only childhood dreams could have imagined possible. Uncharacteristic to the type of event, the bands and artists that were smack bang and walloped into this diverse line up were pleasingly very refreshing. Thus including the likes of popular festival band The Whip, the impetuous and animated vocal talents of Beardyman and the hip-spangling electro-swingers The Correspondents. However, the centrepiece was of course lead by;

                          ”The rockinist, rock-steady beat of Madness!”

    With every bar on campus sufficiently bloating with customers, the enormous stage within the Skyline Pavilion patiently lured in the masses of rosy-cheeked devotees towards its platform, encouraging one to tighten their laces and straighten their Fez and rid any slack from their braces…

   Looking fresh and dapper the entire Madness ensemble dressed from heel to chin in trim-black suits. Not only this, Suggs and his posse crowned their look with a pair of glistening jet-black sunglasses worthy of making even Will Smith crack open the Brasso. From the moment Chas launched into “Hey you! Don’t watch that watch this…” there was an almighty rumble discharged from the dotted sea of red. The well-oiled lairy-funsters reverberated with anticipation for the legendary opening bars of ‘One Step Beyond’.  With the congregation losing the power of their limbs via the empowering authority of the sax and bass lines, the madness had officially begun. ‘Embarrassment’ followed and the solid mob sang every syllable back to Suggs desperate to obtain a wink or wave of approval.

    As the adrenaline began to steady during several lesser known tracks, the Camden born and bred septet displayed their musical versatility, endlessly switching from instrument to instrument; which in turn enabled the crowd to recharge their lager fuelled batteries just in time for the likes of ‘House of fun’, ‘Our House’ and ‘Cardiac Arrest’ to be unleashed.

    When it seemed like this rapturous set could not progress to a more dizzying height, ‘Baggy Trousers’ was confidently hauled from their pockets.  After a momentous set, consisting of the most important songs of a generation, Madness briefly left the stage before the almighty encore.

    With only the sound of a babbling crowd, from the jazz-fuelled pit of Lee Thomson’s diapragm suddenly escaped the signature note of “MMMMMMMMMRRRRRRR…..” (With the sax mimicking the sound of a petrified ship-horn). The vibrations of the lowest note triggered a skank-ridden riot. The three and a half minutes of ‘Night Boat to Cairo’ could have powered Tokyo for a decade on adrenaline alone.  

    After a polite send off from Suggs: “Thank-you for coming ladies and gents… now fuck off… in the nicest possible way of course” the sweat-dampened Butlins crowd dispersed upon the caravan complex and alternative venues to continue the jive and jeer. A weekend of comedy, inspiring artists in a fittingly ‘mad’ environment, TVS says long live ‘The Madness House of Fun Weekenders’!

Madness: ‘House of Fun Weekender’
Butlins, Minehead 25th, 26th, 27th November 2011
Words by Thea Wise

Haunted Poetry: Ghostpoet & Breton @ Digital 12/11/11

Excited about the intimate setting of Digital, this rescheduled gig definitely ignited a lot of hype. The dark, cave-like setting had water dripping down the walls from the leaky pipes overhead; not your average greeting when entering a venue, but for some reason felt fittingly appropriate for the style and genre of artist’s that were to grace the stage.

Support act Breton were to put it simply, one of the most talented bands I personally have witnessed in ages. Surging evocative sounds of The Foals with those classic twinkling guitar riffs and impressive bass, the only thing slightly different was the fact that they were very heavy on the synth front. The synth sound has made a huge come-back into the scene and is that popular, trendy sound that seems to have been embroidered into much of the electro-pop scene of late. Strong vocals and garish yellow high-tops made their lead singer imprint on the memories of many.

                Totally amped for Ghostpoet, the crowd glistened with sweaty blemishes after the pleasing performance from Breton. As the timid trio grouped on stage, the audience watched as they locked arms and heads for some kind of pre-show prayer or ritual? Despite their quiet entrance, their stage presence was the complete opposite. Lead singer Obaro Ejimiwe’s smile glistened through the purpley, blue atmospheric lighting as he preached about how he had “come to play a few little ditties by the seaside”. The addition of a smoke machine added the suitable notion of foggy dankness and those damn drips from the ceiling just seemed to make it feel even more like a dungeon. Frustratingly, the vocals to begin with were massively distorted, disallowing Obaro’s delicate words to be clearly emitted through his mic. The bass was brain shatteringly heavy, with collective looks of concern for our eardrums’ safety and wellbeing. With a sigh of relief, this had fortunately all been adjusted by the time ‘Cash and Carry Me Home’ was played. Other strengths lay in the performance of latest track ‘Liiines’ and ‘Survive it’ which had even the coolest kids nodding with appreciation.

                Overall, very ‘scene’, very cool and totally lives up to their band name. Imagine a ghost writing poetry and yeah… you’ve got Ghostpoet.

Picture

 

Ghostpoet

Brighton Digital, Saturday 12th November

Words by Thea Wise

TVS get’s cosy with the beautiful (and very tall) Mister Charlie Simpson. We managed to collar him for 5 minutes in Dave McPherson’s (InMe) dressing room and got to ask him lots of exciting questions… Check us out! 

www.thevintagescribbler.com

TVS Get intimate with Fenech Soler…

SOURCE REVIEW: Fenech Soler, Concorde 2 7th October

Ditching the gaudy glamour and heading back to basics; Fenech Soler no longer have the need for shiny sequins and sparkly aesthetics to make them stand out from an ever-increasing crowd of competitors.

Currently owning the electro-pop scene after a hefty schedule of festivals and European tours, this band is balancing on the edge of something colossal. With a backlog of absolute belters, it’s hard to find a track that is unlikeable or criticisable in any manner of words.

With strong support from Brighton based band The Special K’s and the compellingly harmonious Paper Crows the gig was correctly predicted to be a sell-out.

Concorde 2 felt fittingly cosy, with an air of glitz and swirls of pretty perfumes penetrating the room. Entering onto a darkened stage the band assembles to the symphonic opening harmonies of Battlefields. Frenetic lighting, mind shattering bass lines, trendy, catchy synth and romantically pensive vocals the crowd transformed into disco dancing disarray almost immediately.

With moves rivalling Travolta in Saturday Night Fever, Fenech Soler schmoozed their audience and encouraged them to lose any inhabitations on the dance floor virtually instantaneously. The chart-breaking hits such as Lies and Stop and Stare are strikingly brilliant live; the sheer energy emitted by the band on stage is simply infectious.

After a short break earlier in the year due to the illness of front man Ben Duffy, the band seems to have been reconstructed with iron-like strength and solidity. Having a brief chat backstage, Ben mentioned: “Not only have we come along musically within the last year, but within the band too. The dynamics have changed in that every aspect has become a lot closer.”

A fantastic short and sweet 10 song set from the Fenech Soler boys meant there was no need for a mid-show lull. Although relatively new on the scene, the band has introduced a track from their earliest EP Airbrushed into their latest set. Euphorically heavy, frantic and gritty; influential sounds from artists such as Soulwax are suddenly laid bare.It’s gratifyingly uplifting to hear the band play such raw tracks as these along with their current electro-pop vibes, showcasing the pure talent owned by each individual member.

Twiddling thumbs with excitement for what more this band will have on offer with their forthcoming album…

Fenech Soler.

Concorde 2, Friday 7th October.

Words by Thea Wise. 

SOURCE REVIEW: Ed Sheeran, Concorde 2 6th October 2011

               

After an extensive plod along the seafront, echoing haunting memories of the Brighton Marathon, eyes were pleasingly greeted with the steamed up windows of the intimate Concorde 2.

Drawn in by the vibrations of Sheeran quite literally slapping the body of his guitar to create a bass line, it was like stepping foot into a gigantic, sweaty love bubble with constant heckles of “We love you Ed” encapsulating all within the tiny venue. If anything, it was keeping hearts warm and dry from the bitter seafront chill…

Describing himself as “just an ordinary ginger kid in a Superdry t-shirt”, his ability to spit, rap, beat-box and sing lyrics deep down into a microphone is undeniably extremely impressive. Not only separating him from the ‘ordinary’ but rocketing him into a world above many of the singer/songwriters entering the mainstream at present.

The dark room was lit up by miniature iPhone screens and digital cameras of fans and admirers desperately seizing every word and phrase. No longer a shy teenager pick axing his way into the mainstream, Sheeran confidently interacted and flirted with his youthful crowd, something that has most certainly developed over the last year.

A-team was a sure-fire winner, prior to this explaining how the song was influenced by a girl called ‘Angel’ who he had met whilst doing some charity work with a friend, as a result adding extra meaning and leaving hundreds of arms pimpled with goosebumps.

Special guest Mikill Pane accompanied Sheeran for a duet of Little Lady, this track is a musical spin-off of A-team divulging into the gritty, violent details of the story of ‘Angel’ and her harrowing background.

Continual use of loop pedalling added supplementary ‘beef’, to what would have otherwise been simply one man and his guitar. Uncharacteristic of his sound Sheeran covered the likes of Damien Marley’s Welcome to Jamrock and Jamie Woon’s Wayfaring Stranger that he pulled off more successfully than I did my jumper in the ever-increasing temperature within the Concorde hub.

Sheeran has the ability to melt hearts and captivate the masses. It’s tough to find fault with this extraordinarily talented artist. With his ability to generate new and creative lyrics with such ease, it’s hard to see his throat running dry anytime soon…

Ed Sheeran.

Concorde 2, Thursday 6th October.

Words by Thea Wise. 

Camp Disco: Onra ft. Flume

For all you lovers of the 80’s, fresh from the Parisian back streets Onra is here to fulfil all your French, house, electro, 80’s disco needs. So much love for this artist…I expect him to be big… 

Flume is also another one to keep those ears ‘a’ tinglin’ (remixing the likes of my new faves such as Onra): http://www.youtube.com/watch?v=o9gaVh01Vf8

Check out some Onra shiz here- he’s got a nice a beefy soundcloud going down…psyche!

http://soundcloud.com/onra/onra-l-o-v-e

Photo Booth Erotica: Fenech Soler ‘Golden Sun’

Fucking sexy new video for ‘Golden Sun’ by Fenech Soler. Creatively curated by Belgian competition winner Alex et Ol…

http://www.youtube.com/watch?v=nqHVY-VXOXA

…retro photo-booth vibes and scenes of erotic innuendos push this video into the ‘SURE FIRE WINNER’ category. The script is simple, a variety of people from all walks of life larking around in a stand alone photo booth. There’s something strangely heart warming about watching the twisted characters on screen? …I fell in love with all of them after about two minutes. Absolutely no link or reference to ‘Golden Sun’s’…but embrace it, it’s cool, it’s a good song and above all- it’s tomfoolery at it’s finest!

[Flash 9 is required to listen to audio.]

—Donae'o - When Angels Sing (Totally Enormous Extinct Dinosaurs Remix) [snippet]

…far from vanilla. 

(via totallyenormousextinctdinosaurs)

Picture Book Lovin'

Instantaneously cured of my fuzzy head and fixed of my Sunday blues- As I aimlessly log on to ‘You Tube’, my fingers stumble across a brand new upload from one of my most ‘watched artists’. As I scramble to click the play button, my eyes and ears are greeted by the strikingly melodic and utterly mesmeric version of ‘My Love’ by the ridiculously talented Picture Book.

This group have been created using the perfect recipe- constantly showcasing their endless range of musical talents and creativity. What’s even better, individually they’re all such.nice.people!

Who else gets away with plonking a Piano in the middle of a Liverpool high-street? 

http://www.youtube.com/watch?v=8lh3OvbxYNA&feature=colike

Apparat: ‘Song of Los’

With an eerie frozen dubstep aura surrounding it, the latest single from Apparat divulges into an unknown world of experimental sounds. ‘Song of Los’ expresses an electronic chanting beat mesmerising the ears of whomever it may fall.

Expanding their dysfunctional sound even further, ‘Song of Los’ pulses dulcet tones with a distinct heir of morbid beauty. Enchanting vocals on the track have been laid down by Sascha Ring himself, crowning him the king of untried electro.  Delicate harmonies, subtle orchestral channels and a gracefully severe bass line are blasted into one another with such ease that the overall effect is something quite special; laying bare an exciting new take on the electronic genre.

For those with an intent interest in the latest electronic sounds, Berlin based Sascha Ring is what’s hot. Ring has grown to become one of the most prestigious artists in his field collaborating with artists such as Ellen Allien and taking charge of one half of electro supergroup Moderat, (half Modeselektor, half Apparat), as well as three critically acclaimed Apparat albums emphasising Ring’s inspiring contribution to this category of music.

Released on 12” and download, ‘Song of Los’ shadows the release of more recent downloadable tracks ‘Ash/Black Veil’ and ‘Black Water’- both of which have been criticised for their “hypnotic and downbeat sound” - Pitchfork . An arguably fair statement, the new Apparat sound is something that for many may take a little adjustment. Nonetheless this is a beautifully produced track with an essence of pure musical science and utter genius hidden within its composure.

‘Song of Los’ is released on 26th September on Mute taken from their highly anticipated new album ‘The Devil’s Walk’ (released on the same day).

 

Rating: 3/5

Thea Wise

Apparat plays a UK tour in October:

14 October - Bristol, Arnolfini

16 October - Brighton, The Haunt

17 October - Leeds, Brudenell Social Club

18 October - Manchester, The Ruby Lounge

19 October - Glasgow, The Arches

26 October - London, KOKO

http://p1.soundcloud.com/player.swf?url=http://api.soundcloud.com/tracks/22298171&remote_addr=178.249.137.150&referer=http%3A%2F%2Fdu104w.dub104.mail.live.com%2Fmail%2FInboxLight.aspx%3Fn%3D399672805